An artist’s life and a pact with the devil: this is a novel about the dangerous illusions of the silver screen
When the Nazis seize power in the 1930s, G.W. Pabst, one of cinema’s greatest directors, is filming in France. To escape the horrors of the new Germany, he flees to Hollywood. But under the dazzling California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, whom he made famous, can help him.
When Pabst receives word that his elderly mother is ailing, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife and his young son are confronted with the barbaric nature of the regime, but the minister of propaganda in Berlin wants the film genius. He won’t take no for an answer, and he makes big promises.
While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement.
The Director explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator. It was longlisted for the International Booker Prize 2026.